Legenda o suramskoj kreposti

One of the 20th century's greatest masters of cinema Sergei Parajanov was born in Georgia to Armenian parents and it was always unlikely that his work would conform to the strict socialist realism that Soviet authorities preferred. After studying film and music, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage". However, in 1964 he was able to make Feuerpferde (1964), a rhapsodic celebration of Ukrainian folk culture, and the world discovered a startling and idiosyncratic new talent. He followed this up with the even more innovative Die Farbe des Granatapfels (1969) (which explored the art and poetry of his native Armenia in a series of stunningly beautiful tableaux), but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on almost certainly rigged charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika, he was able to make Die Legende der Festung Suram (1985), Kerib, der Spielmann (1988) and The Confession, which survives as Parajanov: The Last Spring (1992), before succumbing to cancer in 1990.

1959 Pervyy paren | 1961 Ukrainskaya rapsodiya | 1969 Die Farbe des Granatapfels | 1985 Die Legende der Festung Suram | 1988 Kerib, der Spielmann | 1990 Khostovanank | 1992 Parajanov: The Last Spring (Documentary) (segment "The Confession")