Soy mi madre
Roaring Fork Valley, a region in Colorado in the western US: Glasgow artist Phil Collins studies the immigrants, who mostly come from northern Mexico and often work in the service branch. Most of them work at the most popular winter resort in the USA: Aspen. Inspired by Jean Genets "The Maids" (Theatre of the Absurd, the Surrealist) and from the melodrama of Latin American telenovelas, SOY MI MADRE is a portrait of the social reality of this region. Collins reproduces the telenovela on in his very own radical, artistic way. He works with popular Mexican television actors (like Patricia Reyes Spíndola, Zaide Silvia Guitérrez and Veronica Langer) and with transsexual prostitutes from Mexico City.
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With SOY MI MADRE Collins immerses himself into the world of telenovela, creating a hybrid form out of its narrative and aesthetic structures. SOY MI MADRE was shot in Mexico City with a cast including some of Mexico’s best known actresses while at the same time being conceived as part of a residency in Aspen, Colorado, whose Latino community Collins pays tribute to with this ‘site specific’ work. Revolving around the ideas of role-playing and performance, masks and mirrors, symbols and rituals, soy mi madre posits social roles as volatile, defined by their inherent potential for theatricality and violence.
details
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Runtime
28 min -
Country
Mexico -
Year of Presentation
2010 -
Year of Production
2008 -
Director
Phil Collins -
Cast
Patricia Reyes Spíndola, Verónica Langer, Zaide Silvia Guitérrez, Gina Morett, Sonia Couoh, Miriam Calderón, Dobrina Cristeva, Eileen Yáñez, Luis Cárdenas, Tenoch Huerta, Almadella, Montse -
Production Company
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Berlinale Section
Forum -
Berlinale Category
Short Film
pictures from the movie
Biography Phil Collins
Phil COLLINS (1970, UK) is a filmmaker and visual artist. He studied Drama and English at the University of Manchester and Fine Arts at the University of Ulster. He currently lives in Berlin and Cologne, where he is Professor of Video Art at the Academy of Media Arts. In his films, photographs, installations and live events, Collins often investigates the complex and ambiguous relationship between the camera and its subjects. In 2006, Collins was nominated for the Turner Prize, an award for British artists. IFFR has screened many of his films, including He Who Laughs Last Laughs Longest (2006), the meaning of style (2011) and in 2019 his documentary Ceremony.
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